Normal service has been resumed thankfully but, if I had to
admit it, I rather enjoyed my period of non-contact with the outside world. It
coincided with the lovely weather so the garden benefitted and our daughter’s boarding
dogs got plenty of walks. It made me lift my eyes to look outwards into the big
wide world instead of lowering them to focus on a small intense screen of the
computer. And I know which I prefer.
This week, the focus is on the Gresford exhibition last
week. I sold all of my items in the exhibition itself and all but 2 items on
the sales table (an Xmas box and a cushion cover) which I gave away to get rid
of them! I feel well cleared out and cash heavy and the process has been
extremely cathartic. I have sold 4 utility quilts to date also. I hasten to add
that all these items were priced to sell and if I had tried to price them for
what they were really worth, I would have been bringing them home again!
The exhibition itself was very successful, with takings up
again on last year at £6,714:58. As usual the food was the biggest earner, it
has become a pivotal part of the week, with visitors enjoying the generous
lunches and home cooked food as part of their exhibition experience. For those
who visited and are interested in the results of the BLUE challenge, the beaded
necklace won first place, Little Boy Blue was second and then the blue crocheted
basket was third.
Quilts 6
Since the last exhibition, many of our members undertook a yearlong
challenge to knit or crochet woolly hats for ‘Innocence Smoothie’ bottles. Apparently,
during the winter months the makers of this product put a woolly hat on all their
bottles. When they are sold, 25p is donated to Age UK. As a group, our target
was 1,000 but we greatly exceeded that and made well over 1100 and counting.
It is impossible to show everything but here is a taster.
There was also a fascinating display of work by student J
Franklin. I think many of us thought it was a bit creepy when we first saw her
disembodied trio staring at us through the open fretwork of the church screens but
further investigation proved fascinating. Her accompanying book and design
manual explained that her figures represented a neurological condition and how it
affected her and other sufferers. This journey of discovery formed the basis of
designs that she has subsequently used for very original jewellery.
The third illustrated how much effort it took to do anything,
even the smallest tasks took vast amounts of effort.