This week I have continued to wrestle with my design
for the Chester Ps & Qs exhibition next year. What I feel at the moment is
that what I conceived when drawing on a small scale hasn’t really translated
well to a large scale design.
Large scale design
Although not fully drafted, I needed to start playing
with colour (my favourite aspect of quilt making) alongside the pattern so I
went to try things out on the design wall in my play room. Thinking tree trunk,
I pulled out obvious batik fabrics which in normal circumstances would be
ideal.
Bark fabrics
Then I unearthed a wonderful atmospheric fabric
which I could use effectively for the background and this will now influence
the colours I subsequently choose.
Background
Bark/background
Here are other potential fabrics that sit nicely
with the background fabric. I suppose that in the back of my mind I am thinking
of the impact of the colours of stained glass against the stonework in the
cathedral and perhaps I will adopt a stained glass method for construction.
Perhaps? I’m still pondering.
Background/foliage
Another palette
And then I got totally distracted when I dragged out
this fabric which I bought a couple of years ago at one of the shows. I can’t
remember who dyed it but I certainly salivated when I saw it.
Dyed fabric
When I put it alongside other fabrics on my design
wall, it cancelled out anything else and said ‘look at me and forget the rest’.
I love the colours but feel I need to design a special quilt around it before I
cut into it so back in the drawer it goes. (How many fabric have I said that
about I wonder? Sometimes it’s worth remembering that fabrics are bought to be
used!)
More next time.
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