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I have continued with my task of cutting 3 ½” squares from
my selection of Liberty fabrics to give a good palette of fabrics to choose
from when I start to work on my design wall. My one thought as I look at the
palette is that I may not have enough in the dark value range. I will see how I progress before trying to
rectify that potential problem (more expense!).
So the palette is sorted, the design wall is empty so what am
I going to do on it? Well, many moons ago, when the ’colourwash’ revolution was
at its height, I bought an innocuous little workbook by Shirley Liby on one of
my visits to Paducah. There is no colour at all between the covers, just a
variety of designs based on the tonal value (light through to dark) of the squares.
A design from this book would be my starting point.
So the next step was to look at the colourwash bible written
by Deidre Amsden. She was making fabulous patchwork quilts based on value long
before the Americans took it over. I particularly liked 3 designs which Ithought
were doable with my limited palette of fabrics.
The colourwash bible!
Design 1
I decided to concentrate on Design 1 and found that this
worked better for me with my range of fabrics. Here’s the play sequence which I
hope will illustrate what I mean when I say you can be too close to your own
work. At the end my efforts I felt quite dispirited, assuming that I hadn’t achieved
what I had set out do. It was only when I was going out of the studio and I looked
back at the design wall that I saw that indeed I had created alternating value strips.
I was pleased and will continue along this vein when I return from holidays.
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