If you are visiting the blog for the first time, you will see that there are 3 sections to each entry. Life Before Quilting documents my early years up until the time I started to quilt. My Quilting Journey covers my 25 years of teaching and the quilts that I have made during that period. Quilting 2010 addresses what’s happening in my quilting life now. Just enjoy what you are interested in and visit often!
LIFE BEFORE QUILTING
Two months after arriving on Tarawa, and being the most dispensable member of staff (debatable!), I was despatched on a trip to the outer islands with an Ellice island teacher called Holland Banaba. Our task was to supervise the entrance exam on three outer islands for the boarding school where I taught. The ship was scheduled to call in at a fourth island to collect copra. I thought this would be a great adventure and I relished the opportunity to go. That was before I saw the size of the supply vessels that travelled between the islands. Known as T ships, the Temauri and Tautunu were smaller than the Lake District pleasure cruisers. They were shallow draft so that they could manoeuvre into the lagoons and get as close to shore as possible. I recall that accommodation was basic, with two compact first-class cabins on deck for travelling officials (us), two second-class cabins below deck, and deck accommodation for the remainder of the passengers who shared the space with their pigs, chickens and belongings.
Filled with a sense of responsibility for the task ahead, I settled down on the topmost deck of the Tautunu, ready to enjoy my first Pacific voyage. I watched Tarawa slowly recede and disappear over the horizon as we left the protection of its small harbour at Betio. As I resolutely turned to look ahead, I privately assessed the sturdiness of this small vessel against the vastness of the Pacific Ocean. Once outside the protection of the reef, it didn’t take long before the Tautunu settled into its corkscrewing rhythm. I believe I managed one meal before I disappeared into my cabin for the remainder of the heaving journey!
MY QUILTING JOURNEY
With my first quilt, Jacobean Spring, I always maintained that I started at the top and worked my way down for the rest of my creative career! As champion, I was invited to John Lewis’s in London, where my quilt was displayed, to demonstrate my technique in a remote corner of the basement. I also demonstrated in the waterways museum at Camden Lock, to advertise the waterways theme for the next year’s competition.
Having had success with the Jacobean style, I felt compelled to follow it up with another in the same style thus creating a series of work. The fact that the next quilt was called ‘Goodbye Crewel World’ said it all! The inspiration for this quilt was an antique, crewel wall hanging seen in a window display at Voirrey Embroidery on the Wirral. The hanging had originally been made at the Lee's Brother factory in Birkenhead, where young women were painstakingly trained to make exquisite hand embroideries, to be exported all over the world.
I was given permission to photograph and trace the flowers, motifs and stems as the inspiration for a quilt. I recorded the colours faithfully and, once back in my workroom, I simplified everything for ease of sewing. Here is the result:
Goodbye Crewel World 82” x 97” 1989
LIFE BEFORE QUILTING
Two months after arriving on Tarawa, and being the most dispensable member of staff (debatable!), I was despatched on a trip to the outer islands with an Ellice island teacher called Holland Banaba. Our task was to supervise the entrance exam on three outer islands for the boarding school where I taught. The ship was scheduled to call in at a fourth island to collect copra. I thought this would be a great adventure and I relished the opportunity to go. That was before I saw the size of the supply vessels that travelled between the islands. Known as T ships, the Temauri and Tautunu were smaller than the Lake District pleasure cruisers. They were shallow draft so that they could manoeuvre into the lagoons and get as close to shore as possible. I recall that accommodation was basic, with two compact first-class cabins on deck for travelling officials (us), two second-class cabins below deck, and deck accommodation for the remainder of the passengers who shared the space with their pigs, chickens and belongings.
Filled with a sense of responsibility for the task ahead, I settled down on the topmost deck of the Tautunu, ready to enjoy my first Pacific voyage. I watched Tarawa slowly recede and disappear over the horizon as we left the protection of its small harbour at Betio. As I resolutely turned to look ahead, I privately assessed the sturdiness of this small vessel against the vastness of the Pacific Ocean. Once outside the protection of the reef, it didn’t take long before the Tautunu settled into its corkscrewing rhythm. I believe I managed one meal before I disappeared into my cabin for the remainder of the heaving journey!
MY QUILTING JOURNEY
With my first quilt, Jacobean Spring, I always maintained that I started at the top and worked my way down for the rest of my creative career! As champion, I was invited to John Lewis’s in London, where my quilt was displayed, to demonstrate my technique in a remote corner of the basement. I also demonstrated in the waterways museum at Camden Lock, to advertise the waterways theme for the next year’s competition.
Having had success with the Jacobean style, I felt compelled to follow it up with another in the same style thus creating a series of work. The fact that the next quilt was called ‘Goodbye Crewel World’ said it all! The inspiration for this quilt was an antique, crewel wall hanging seen in a window display at Voirrey Embroidery on the Wirral. The hanging had originally been made at the Lee's Brother factory in Birkenhead, where young women were painstakingly trained to make exquisite hand embroideries, to be exported all over the world.
I was given permission to photograph and trace the flowers, motifs and stems as the inspiration for a quilt. I recorded the colours faithfully and, once back in my workroom, I simplified everything for ease of sewing. Here is the result:
Goodbye Crewel World 82” x 97” 1989
Hand appliqué, corded quilting and hand quilting
*This large quilt was the first one that I hand quilted as a complete quilt. It was rolled on a huge quilting frame which was placed behind the settee in the lounge and that's where I had to join it, whenever I worked on it! I never worked on that large frame again and have always preferred to hand quilt with large hoop from then on.
Below are some details of the quilt:
Goodbye Crewel World: detail 1
Goodbye Crewel World: detail 2
Goodbye Crewel World: detail 3
Goodbye Crewel World: label
Goodbye Crewel World: corded quilting
QUILTING 2010
I continue to make my Liberty Logs sampler quilt. It is a slow process as the pattern is so small and each square of a 16-patch block takes much attention to detail.
Liberty Logs: 16-patch with ruler
Above you can see the latest 6 ½” square against a ruler. Below you can see three paper patterns against small embroidery scissors. The squares are constructed using the paper foundation method, a process that revolutionised the precision in patch several years ago. I love it!
Liberty Logs: paper pattern and scissors
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