Sunday, 4 November 2012

BLOG 123


This week I have been doing more on the Cathedral wall hanging. My next step was to start working on the stylised tree to give a stained glass effect.

 

                                             Foliage
For this I needed a tracing of the foliage (RS) on freezer paper, a sheet of baking parchment to work on, fabric, scissors and an iron.
 

 

                                 Equipment
Each individual shape was cut away from the pattern traced onto the freezer paper. I divided the shape so there was a ½” arc for the dark outline and the rest was to be cut from coloured fabric. I ironed the freezer paper onto the RS of the fabric and cut out the shapes. They were cut to size where the edge was to overlap, and given a small seam allowance where the edge was to slide under an adjacent shape. Registration marks helped to realign the edges.
 

 

                              Freezer paper shapes

The shapes were re-aligned on the baking parchment and ironed to stick the overlapping edges.

 

                                     Sticking the edges

As the shapes were prepared, they were re-assembled on backing parchment.

 

                             Fitting the shapes together

 

                              Building up the design
This process continued until all of the foliage was completed. It was easy then to peel the design off the parchment and drop it back in its place within the design.

 

                    Work in progress
Just to make absolutely sure that I was happy with progress, I auditioned another possible background. It was a 3 yard piece of batik and it would have made the construction method far easier for me. I photographed it in situ, to make an assessment, but although I liked the effect, it was not quite right for the hanging…. So back to the hard work! More next week.


 

              Alternative background?
I went to see the bi-annual quilt show in Frodsham recently and it was excellent as usual! There are some very talented sewers in the group and the exhibition is always full and varied. It just reminded me that in quilt making, there is something for everyone. You can sew large, medium, small or tiny; you can do it for an occasion, to get rid of some fabric or just for fun; you can do patchwork, applique or quilting or any combination; you can work by hand or by machine, over papers, following a pattern or free-style. You can do it for yourself, for friends or for charity. What’s not to like eh?!

Here are some that I photographed with my apologies for not adding each maker’s name; they were unlabelled because they were competing for visitor’s choice! Amazingly, these quilts are all made from the same pattern, but how different they look. It’s all down to fabric choices.

 

 
 

 
 

 
I liked the simple, clean colours of this hexagon quilt.

 
 
 
 
 
 
 
 
 
 
                                         Hexagons
There was competition standard hand applique on this quilt which unfortunately wasn’t displayed to its best advantage through lack of space.

 

                               Applique
The setting of this simple log cabin block took it from the ordinary to the extraordinary. All the blocks seem to dance except for the middle block on the left hand side, which was the central block of the quilt. It was set in exactly the same way, but the dark fabric makes it stand out as a frame, rather than blend in like the other blocks.

 


                           Log cabin
It is so rare to see hand applique and hand quilting nowadays. I applaud this competent quilt and I found out later that it won Visitor’s Choice. Quite rightly so!

 

                           Rose of Sharon
And finally, here’s a wall hanging that has been finished after one of my gate workshop many, many, many moons ago! It is beautiful and there is far more work on this quilt than I ever did on mine. It gladdened my heart!!


 

                                           Garden gate

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